Halyna Shpak ORCID iD National Music Academy named after Antonina Nezhdanova, Odesa Ukraine
Halyna Shpak
Candidate of Art History, Associate Professor of the Department of Choir Conducting Odesa National Music Academy named after Antonina Nezhdanova, Odesa, Ukraine, galina.shpak425597@gmail.com, https://orcid.org/0000-0001-8866-3236
Oksana Krus ORCID iD Rivne State University of the Humanities Ukraine
Oksana Krus
Candidate of Pedagogical Sciences, Associate Professor, Rivne State University of the Humanities, Rivne, Ukraine, oksanakrusop@gmail.com, https://orcid.org/0000-0002-9746-5554
Tetyana Kryzhanovska ORCID iD Rivne State University of the Humanities Ukraine
Tetyana Kryzhanovska
Candidate of Pedagogical Sciences, Associate Professor, Rivne State University of the Humanities, Rivne, Ukraine, kryzhanovska.tetyana@gmail.com, https://orcid.org/0000-0002-9072-5288
Olena Rebrova ORCID iD South Ukrainian National Pedagogical University named after K. D. Ushynsky, Odesa Ukraine
Olena Rebrova
Doctor of Pedagogical Sciences, Professor, Department of Musical Art and Choreography State Educational Institution South Ukrainian National Pedagogical University named after K. D. Ushynsky, Odesa, Ukraine, helen.music56@gmail.com, https://orcid.org/0000-0001-7549-6811
Nataliia Riabukha ORCID iD Kharkiv State Academy of Culture Ukraine
Nataliia Riabukha
Doctor of Art Criticism, Associate Professor, Acting Rector of the Kharkiv State Academy of Culture, Kharkiv, Ukraine, ralnat1277@gmail.com, https://orcid.org/0000-0002-4182-0289
Inha Khmelevska ORCID iD South Ukrainian National Pedagogical University named after K. D. Ushynsky, Odesa Ukraine
Inha Khmelevska
Candidate of Pedagogical Sciences, Senior Lecturer at the Department of Musical Art and Choreography, South Ukrainian National Pedagogical University named after K. D. Ushynsky, Odesa, Ukraine, ingakhmelevsky@gmail.com, https://orcid.org/0000-0001-9129-2173
User
p-ISSN: 2068 - 0473 e-ISSN: 2067 - 3957
DOI:
10.18662/brain
DOI prefix: 10.70594/brain (currently edited by EduSoft) | 10.18662/brain (when was edited by Lumen)
Frequency:
4 issues/year (occasional additional issues)
Abstracting & Indexing
Web of Science (ESCI, IF 0.6), EBSCO, Google Scholar etc.
Halyna Shpak -
National Music Academy named after Antonina Nezhdanova, Odesa (UA),
Oksana Krus -
Rivne State University of the Humanities (UA),
Tetyana Kryzhanovska -
Rivne State University of the Humanities (UA),
Olena Rebrova -
South Ukrainian National Pedagogical University named after K. D. Ushynsky, Odesa (UA),
Nataliia Riabukha -
Kharkiv State Academy of Culture (UA),
Inha Khmelevska -
South Ukrainian National Pedagogical University named after K. D. Ushynsky, Odesa (UA),
El desarrollo de los estudiantes de música en condiciones de guerra en Ucrania: una perspectiva neuropedagógica
Autores:
Halyna Shpak - National Music Academy named after Antonina Nezhdanova, Odesa (UA)
Oksana Krus - Rivne State University of the Humanities (UA)
Tetyana Kryzhanovska - Rivne State University of the Humanities (UA)
Olena Rebrova - South Ukrainian National Pedagogical University named after K. D. Ushynsky, Odesa (UA)
Nataliia Riabukha - Kharkiv State Academy of Culture (UA)
Inha Khmelevska - South Ukrainian National Pedagogical University named after K. D. Ushynsky, Odesa (UA)
Resumen
El artículo presenta una revisión de los enfoques existentes, así como de la teoría y la práctica relacionadas con el desarrollo de los estudiantes de música en condiciones de guerra en Ucrania.
El material presentado puede enriquecer significativamente el contenido de la formación pedagógica musical mediante el estudio del aspecto neuropedagógico del desarrollo de los estudiantes de música en condiciones de guerra en Ucrania, dentro del proceso de implementación de disciplinas profesionales de carácter psicológico y pedagógico.
La idea central del artículo es el reconocimiento de que la música constituye uno de los medios más poderosos de regulación emocional de la actividad mental de los estudiantes de música en el contexto de la guerra en Ucrania.
La música desarrolla la capacidad de la persona para reconocer y controlar sus emociones, favoreciendo el fortalecimiento de la inteligencia emocional.
En este artículo, los principales tipos de actividad musical —la escucha de música, la interpretación instrumental y la vocalización— se utilizan para investigar la influencia neuropedagógica sobre el desarrollo de los estudiantes de música en condiciones de guerra en Ucrania.
Se analizan los efectos de la escucha de diversas obras clásicas, identificados por la ciencia contemporánea, sobre el desarrollo de los estudiantes de música en estas condiciones.
También se examinan los factores que influyen en la percepción musical, en particular el estado psicoemocional de los estudiantes durante la guerra en Ucrania en el momento de la escucha, así como las particularidades de su sistema nervioso, su temperamento y su tipo de personalidad.
Se señala que el canto y la interpretación de instrumentos musicales revitalizan significativamente la esfera emocional de los estudiantes de música, activan su autonomía y estimulan su actividad creativa, especialmente gracias a la posibilidad de improvisación.
The article presents a review of existing approaches, theory and practice of music students' development under the conditions of war in Ukraine. The presented material can significantly enrich the content of music pedagogical education on the study of neuro-pedagogical aspect of music students' development under the conditions of war in Ukraine, in the process of implementation of disciplines of professional psychological and pedagogical disciplines.The leading idea of the article is the recognition that music is one of the most powerful means of emotional regulation of the mental activity of music students in the conditions of war in Ukraine. It develops a person's ability to recognise and control their emotions, enhancing their emotional intelligence. In this article, the main types of musical activity - listening to music, its instrumental performance and vocalisation - are used to investigate the neuropedagogical influence on the development of music students under the conditions of war in Ukraine. The effects of listening to various classical works revealed by current science in the development of music students under conditions of war in Ukraine are investigated. Factors influencing the perception of music are discussed, namely, the psycho-emotional state of music students during the war in Ukraine at the moment of listening, as well as the peculiarities of their nervous system, temperament, and personality type. It is noted that significantly enliven the emotional sphere of music students, activate its independence and creative activity, singing and playing musical instruments, the distinctive feature of which is the ability to improvise.
Academic discipline and sub-disciplines:
Music Education; Neuroscience; Educational Psychology